Mehow is a new media and technology artist based in New York City whose innovative work bridges traditional artistic and cultural expressions with cutting-edge immersive technologies. With an extensive background in virtual and augmented reality, Mehow specializes in creating deeply engaging experiences through 3D scanning, 360-degree video capture, and digital conservation of culturally significant artifacts and spaces.

His recent projects include pioneering immersive documentation of the Green Tara sand mandala creation by nuns from Jangchub Choeling Nunnery and the Manjushri mandala by monks from Gume Tantric Monastery, effectively bringing viewers into intimate proximity with sacred artistic practices. Mehow’s collaborations frequently center on preserving heritage through advanced visualization techniques, employing methods such as 3D Gaussian splatting and neural radiance fields (NeRF) to digitally archive significant locations, including New York City’s Elizabeth Street Garden. His work at the Garden notably includes creating 3D-printed replicas of its iconic sculptures.

Mehow’s commitment to fostering artistic innovation extends beyond production and facilitation. He actively mentors and develops emerging digital artists, imparting invaluable skills and insights that support their growth in the digital art landscape. His mentorship serves as a beacon, shaping the trajectories of numerous artists and equipping them with the confidence and technical proficiency needed to manifest their artistic visions. Mehow’s projects have gained recognition for their innovative use of technology to foster powerful emotional connections, enhancing accessibility and appreciation for art, history, and culture.

Currently, he is creating groundbreaking artwork in collaboration with multidisciplinary artist Ori Carino. Their partnership merges diverse artistic perspectives, resulting in a dynamic synergy that positions their collaborative efforts at the forefront of contemporary art innovation.